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In September 2014, I presented a solo exhibition titled 'View Master' in FELTspace, Adelaide.
This body of worked continued to explore my fascination with violent imagery, methods of representation, and their ramifications. In particular, I was interested in the idea that one would play out violent fantasies through the very medium that imparted them, that representations of violence could inspire a yearning for violence so influenced by these images that images and falsehoods would be the only way to fulfill them.
The things in View Master are made to be seen. Made to be touched, looked upon, looked into or investigated; their function is dependent on viewer interaction. This invitation extended to the viewer in part allows one to experience representations of violence the same way that I do; with a sense of fun, light-heartedness; a fascination. More than this, the invitation aims to mimic the one extended by all representations of violence; the invitation to engage, and in doing so, invites a consideration of our own implicit role in the way these images bleed into reality.
In September 2014, I presented a solo exhibition titled 'View Master' in FELTspace, Adelaide.
This body of worked continued to explore my fascination with violent imagery, methods of representation, and their ramifications. In particular, I was interested in the idea that one would play out violent fantasies through the very medium that imparted them, that representations of violence could inspire a yearning for violence so influenced by these images that images and falsehoods would be the only way to fulfill them.
The things in View Master are made to be seen. Made to be touched, looked upon, looked into or investigated; their function is dependent on viewer interaction. This invitation extended to the viewer in part allows one to experience representations of violence the same way that I do; with a sense of fun, light-heartedness; a fascination. More than this, the invitation aims to mimic the one extended by all representations of violence; the invitation to engage, and in doing so, invites a consideration of our own implicit role in the way these images bleed into reality.
Tell The Truth And God Will Save You
Gold Plated Steel, 2014
The Bad Apple Spoils The Bunch
Gold Plated Steel, 2014
The Deepest Circle Of Hell Is Reserved For Betrayers And Mutineers
Gold Plated Steel, 2014
I Killed Her, I Raped Her, And I Smashed Her Head, Like This
Gold Plated Steel, 2014
I Am Not Here To Make Any Friends
Gold Plated Steel, 2014
Not The First Time I've Gutted A Pig
Gold Plated Steel, 2014
I Can't Control Myself Because I Don't Know How (1)
Digital Print, 3D glasses. 2014
I Can't Control Myself Because I Don't Know How (2)
Digital Print, 3D Glasses. 2014
I Can't Control Myself Because I Don't Know How (3)
Digital Print, 3D glasses. 2014
I Can't Control Myself Because I Don't Know How (4)
Digital Print, 3D glasses. 2014
View Master (Spring In My Step), Slide 1 of 7 (detail)
View Master, View Master Reel. 2014
View Master (Spring In My Step). Slide 2/7 (detail)
View Master, View Master Reel. 2014
Fight Club (detail)
Lenticular Print, 2014
Everything We Has Lies In Pieces (detail)
Lenticular Print, 2014
Everything We Has Fucking Dies (detail)
Lenticular Print, 2014
Everything We Has Dies Tonight (detail)
Lenticular Print, 2014
View Master
Installation shot at FELTspace, Adelaide
I Can't Control Myself Because I Don't Know How
Installation shot at FELTspace, Adelaide
Gold Steel Series and 'Vulnerable'
Installation shot at FELTspace, Adelaide
I Killed Her, I Raped Her, And I Smashed Her Head, Like This
Installation shot at FELTspace, Adelaide
I Am Not Here To Make Any Friends
Installation shot at FELTspace, Adelaide
Tell The Truth And God Will Save You
Installation shot at FELTspace, Adelaide
The Bad Apple Spoils The Bunch
Installation shot at FELTspace, Adelaide
The Deepest Circle Of Hell Is Reserved For Betrayers And Mutineers
Installation shot at FELTspace, Adelaide
Not The First Time I've Gutted A Pig
Installation shot at FELTspace, Adelaide
Everything We Had Dies Tonight
Installation shot at FELTspace, Adelaide
'Everything We Had' series
Installation shot at FELTspace, Adelaide